The most unusual feature of the shelter is a red and white painted line that emerges from a natural fissure and crosses the entire frieze ending near five eland; something which may interest South African researchers where the eland is the dominant motif. Below the line is a large design of concentric circles in red, plus kudu images. The Abbé Breuil was most interested in the human figures and saw in them proof of the arrival of an intrusive foreign culture, different from local people who were presumed to have been responsible for the more orthodox painting styles. Some of these figures have their bodies painted in white, while the hair and other details are in red. These images were both reproduced by Elizabeth Goodall one of the team that accompanied Frobenius, who described them as being in a polychrome style of a later period.

H. Breuil. Southern Rhodesia: the District of Fort Victoria and Other Sites: Rock Paintings of Southern Africa Vol. V Singer-Polignac Foundation Clairvaux 1966